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Sources

Selected Sources

Arber, Agnes. Herbals Their Origin and Evolution: A Chapter in the History of Botany 1470-1670, 2nd Edition. Cambridge: Cambridge University Press, 1938, 1953 reprint.

Blair, Ann. “Humanist Methods in Natural Philosophy: The Commonplace Book,” Journal of the History of Ideas 53:4 (Oct.-Dec. 1992): 541-551.

Borsuk, Amaranth. The Book. Cambridge, MA: MIT Press, 2018.

Carlebach, Elisheva. Palaces of Time: Jewish Calendar and Culture in Early Modern Europe. Cambridge: Belknap Press of Harvard University Press, 2011.

Cormack, Bradin and Carla Mazzio. Book Use, Book Theory, 1500-1700. Chicago: University of Chicago Library, 2005.

Cramsie, Patrick. The Story of Graphic Design: From the Invention of Writing to the Birth of Digital Design. New York: Abrams, 2010.

Crain, Patricia. The Story of A. Stanford: Stanford University Press, 2002.

Dean, Gabrielle. “‘Every Man His Own Publisher’: Extra-Illustration and the Dream of the Universal Library,” Textual Cultures 8:1 (Spring 2013): 57-71.

DiMeo, Michelle and Sarah Pennell. Reading and Writing Recipe Books, 1550-1800. Manchester: Manchester University Press, 2013.

Drucker, Johanna. The Century of Artist’s Books. New York: Granary Books, 2004.

Duncan, Dennis and Adam Smyth. Book Parts. Oxford: Oxford University Press, 2019.

Field, Hannah. Playing With the Book. Minneapolis: University of Minnesota Press, 2019.

Flusser, Vilém. Gestures. Translated by Nancy Ann Roth. Minneapolis: University of Minnesota Press, 2014.

Gascoigne, Bamber. How to Identify Prints: A Complete Guide to Manual and Mechanical Processes. New York: Thames & Hudson, 2004.

Genette, Gerard. Paratexts: Thresholds of Interpretation. Translated by Jane E. Lewin. Cambridge: Cambridge University Press, 1997.

Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. Cambrdige, MA: MIT Press, 2006.

Griffiths, Antony. The Print Before Photography: An Introduction to European Printmaking, 1550-1820. London: The British Museum Press, 2016.

Havens, Earl. Commonplace Books: A History of Manuscripts and Printed Books from Antiquity to the Twentieth Century. New Haven: Beinecke Rare Books and Manuscript Library, 2001.

Karr Schmidt, Suzanne. Interactive and Sculptural Printmaking in the Renaissance. Leiden: Brill, 2017.

Levy, F.J. “The Making of Camden’s Britannia,” Bibliothèque d’Humanisme et Renaissance, 26:1 (1964): 70-97.

Multigraph Collective. Interacting with Print. Chicago: University of Chicago Press, 2018.

Nicosia, Marissa. “Cooking Hannah Woolley’s Printed Recipes from a Manuscript Recipe Book: UPenn Ms. Codex 785.” In After Print: Eighteenth-Century Manuscript Cultures, edited by Rachael S. King, 285-309. Charlottesville: University of Virginia Press, 2020.

Peltz, Lucy. Facing the Text. San Marino: Huntington Library, 2017.

Raven, James. What is the History of the Book? Cambridge, UK: Polity Press, 2018.

Reid-Walsh, Jacqueline. Interactive Books; Playful Media Before Pop-Ups. Taylor & Francis Group, 2017

Sherman, William. Used Books. Philadelphia: University of Pennsylvania Press, 2007.

Smyth, Adam. “Almanacs, Annotaters, and Life-Writing in Early Modern England,” English Literary Renaissance 38:2 (May 2008): 200-244.

____. Autobiography in Early Modern England. Cambridge: Cambridge University Press, 2010.

Sweet, Rosemary. Antiquaries. London: Hambledon and London, 2004.

Vincler, John. “The Monstrous Body and the Manufactured Body in the Late Age of Print: Material Strategies for Innovative Fiction in Shelley Jackson’s Patchwork Girl and Steve Tomasula’s VAS: An Opera in Flatland” http://www.dichtung-digital.org/2010/vincler/vincler.htm

Wilker, Annie. “History Unfolded: Conservation Treatment and Housing of 18th-Century Printed Paper Fans,” Cultural Heritage. Access date: March 2, 2021. https://www.culturalheritage.org/docs/default-source/annualmeeting/2014am_poster44_history_unfolded.pdf?sfvrsn=2.